In my mind's eye a Temple, like a cloud
Slowly surmounting some invidious hill,
Rose out of darkness:
-William Wordsworth
A dear friend's daughter is getting married in a few days'
time.. Ever since the city and the venue were finalised, he has been
unceasingly coaxing and cajoling me to attend the marriage. It is in a town in
Rajasthan..
Rajasthan as we all know is famous for its majestic forts, intricately carved temples and
decorated havelis. These are part of
the architectural heritage not only of Rajasthan but of India. And then we have the Thar Desert, the world's 17th largest desert, and the world's 9th largest subtropical desert extending into Gujarat, Punjab, and Haryana and also
across into Pakistan
The idea of travelling to Rajasthan always triggers a flood
of memories. I have spent my early childhood there. Indeed nothing brings more joy
to us than the memories of our childhood. Of course one
cannot remember everything of one's childhood but certain events and memories
are stored in the sub-conscious mind and flash quite frequently through mind's eye.
Free association is a
technique used in psychoanalysis (and also in psychodynamic theory) which was originally devised by Sigmund
Freud out of the hypnotic
method of his mentor and
colleague, Josef Breuer. It is the mental process by which one word or image may
spontaneously suggest another without any necessary logical connection.
In a flash I am
transported to a small remote town in the Shekhawati region of Rajasthan, now
famous world over for its educational institutions including the institute of
technology and science. I remember the hot dry climate, the vast stretches of
sand, the sand dunes, the thinly
populated residential area in the middle and the sand storms blowing across
very frequently turning the sky to a dismal gray. I remember the frequent
invasion of locusts, painting the sky yellow and my mom warning me to stay indoors till this vast swarm
withdrew.
I remember the bungalow
in which we lived, its high ceilings with fans hanging to very long iron pipes.
I remember a huge painting of Chanakya
and Chandragupt mounted on one of the walls in the drawing
room. (A replica of this painting can be seen in Birla Mandir, New Delhi even
today). I remember some of the defaced walls of my house that I sketched and
scribbled on, to discover a painter in me. I remember the huge Kikar tree (Vachellia
nilotica ,widely known by the taxonomic synonym Acacia
nilotica) in our front yard. I
remember the Shivganga, a manmade
canal flowing through a vast manicured garden with an idol of Shiva in the
midstream, a fountain perennially gushing from its thick swathe of hair in a
parabola. In hind sight this vast water-body makes the meaning of oasis more
clear to me now than ever. I remember the shrubs laden with juicy, rounded,
brightly colored, sweet or sour wild berry along the vast stretches, in the
neighborhood and across the sand mounds, everywhere.
And I remember Narayanibai.
In those languid summer
afternoons when everyone was indoors, when the sun would show the fiercest, when
my mother would go to sleep or rest, when the neighbourhood was all quiet, she
would tip toe to my house and softly call me out to come out to play and to
join her for picking the berry.
Narayanibai was the
daughter of the chowkidar of the Club situated across the road. I recall his
name was Tulsi. Of him I only remember his tall frame and huge shrub like
moustache nearly covering his whole face. It was difficult to figure out if he
was smiling or scowling. Narayanibai was thinly built , rather tall for all her 5/6 years or so but I can't exactly
recall how old she was. She was not so fair. She would sport two neatly woven
braids in her richly oiled hair and wide kajal
in her eyes. I was either a bit younger
or her age. But by her demeanour she appeared to have taken me in her
wings as a junior and almost extend a mother-like care and nurturing. Once when
I fell sick preventing me from our outdoor activity, she would regularly come
quietly and enquire about me from my mother and go away disappointed.
Day after day we would
wander on the warm sands unmindful of the sun fiercely beating us down. Some
time we would go to the children's corner of the Club and play on the slide,
the swing or see-saw or a small merry go-round. At another time we would just walk on the somewhat moist sand on the
bank of Shivganga. She taught me to
make castle of sands on the banks of Shivganga
where the sand was a bit moist, by piling sand on one of the foot, tapping it
firmly in place to set and slowly withdrawing the foot to leave a hollow
underneath. Soon we would collect some wild shrub or twigs to create a garden
and roads for our castle. How many castles would we have built together!
'Come along. We go
picking berry'. Many a time I would refuse to go with her. And then how she
would cajole me when I spurned her offer!. She would lure me by the best offer
she could conceive of: 'I will eat the
raw ones and I will give you the ripe ones'. (kachhe kachhe ham khayenge, pakke pakke tum khana!). Where did
this devotion come from?
No. She couldn’t have
heard of the story of Shabari and her 'pre-tasted' berries.
In my sunset years, as the fading light leaves the softness of a diffused twilight when the
sun is below the horizon, I still wander aimlessly on the shores of life. I still dream and I
still search for sweet berries of peace, of contentment and of fulfillment. I
still make castles in the sand, only to be swept away every time by the fierce
waves of mundane living….
And I still remember
Narayanibai.